Now showing at Bridport Arts Centre 9-9A,South Street,Bridport,Dorset DT6 3NR 01308 424204
- A Most Violent Year
- Exhibition On Screen: The Impressionists
A Most Violent Year 4 stars
Abel Morales owns a fleet of oil transport trucks that carry valuable fuel to customers across the city. One of his trucks is hijacked and the driver Julian is been badly beaten. Threats to Abel's livelihood become personal, targeting his children and wife Anna, whose gangster father used to own the company. "Let me deal with this," pleads Abel. "You better," she retorts. "Because you won't like what's going to happen once I start getting involved."
- GenreAction, Drama, Romance, Thriller
- CastJessica Chastain, Oscar Isaac, David Oyelowo, Alessandro Nivola, Elyes Gabel, Albert Brooks.
- DirectorJ C Chandor.
- WriterJ C Chandor.
- Duration125 mins
- Official site
According to statistics, 1981 was the most violent year in New York City history in relation to the population. Over the 12 months, more than 1.2 million crimes were recorded including 60,000 aggravated assaults, 5,400 forcible rapes and 2,220 murders.
A crack epidemic had the city in a chokehold and Mayor Ed Koch seemed powerless to curb gang warfare and spiralling lawlessness on the subway system. Writer-director JC Chandor, who was Oscar nominated for the 2012 thriller Margin Call, uses this turbulent period as a backdrop to his masterful and searing portrait of crime and brutal punishment.
Centred on a married couple, who are struggling to keep their heating oil distribution business afloat, A Most Violent Year powerfully conveys the personal and professional sacrifices of a devoted husband and wife, who become one of the shocking statistics.
The film's pacing is deceptively steady and slow, lulling us into a false sense of security as Chandor ups the stakes for his beautifully sketched characters, forcing them to take greater risks to protect their nearest and dearest.
Abel Morales (Oscar Isaac) owns a fleet of oil transport trucks that carry valuable fuel to customers across the city. He's a small player but hopes to expand by clinching a deal for property on the Brooklyn waterfront that will allow him to take delivery of oil from the river. Having put down 700,000 US dollars as a deposit, Abel has just 30 days to close the transaction or the vendor keeps the downpayment and can sell the land to a competitor.
Soon after, Abel learns that one of his trucks has been hijacked and the driver Julian (Elyes Gabel) has been badly beaten. Union rep Bill O'Leary (Peter Gerety) asks Abel to allow the drivers to carry unlicenced guns as a deterrent but the boss strongly objects, knowing that it will take just one stray bullet to arouse the suspicions of the crusading Assistant District Attorney (David Oyelowo).
Threats to Abel's livelihood become personal, targeting his children and wife Anna (Jessica Chastain), whose gangster father used to own the company.
"Let me deal with this," pleads Abel.
"You better," she retorts. "Because you won't like what's going to happen once I start getting involved."
A Most Violent Year hits a sweet spot on every level, from Chandor's measured direction and lean script, to the powerhouse performances. Isaac is mesmerising as an honourable family man, who refuses to sink to the depths of some of his rivals, sticking to the path of righteousness for as long as he dare.
Chastain essays another ballsy woman of substance, cutting through her husband's rose-tinted idealism with harsh home truths. When oblivion beckons for Abel and Anna, we discover the true strength of their moral compasses in the face of the corruption and senseless bloodshed.
Showtimes (Click time to book tickets)
- Sunday 31st May 2015
Exhibition On Screen: The Impressionists 3 stars
A behind-the-scenes documentary on the Inventing Impressionism exhibition from the Musee du Luxembourg in Paris, National Gallery in London and Philadelphia Museum of Art, which explores how art dealer Paul Durand-Ruel created the modern art market by discovering Monet, Pissarro, Degas and Renoir in the early 1870s and buying their works when they were still largely ignored or ridiculed.
- DirectorPhil Grabsky.
- WriterPhil Grabsky.
- Duration91 mins
- Official sitewww.exhibitiononscreen.com/the-impressionists
- Release26/05/2015 (selected cinemas)
In 1886 New York, at a time when Impressionism faced total failure, Parisian art collector Paul Durand-Ruel took the brave decision to introduce these distinctive and modern French paintings to wealthy and enlightened Americans. The enthusiastic response convinced Durand-Ruel to fill American galleries with Impressionist masterpieces and revive interest in luminaries such as Cezanne, Degas, Monet, Pissarro and Renoir. Phil Grabsky's documentary, which has been made in collaboration with the Musee du Luxembourg in Paris and the Philadelphia Museum of Art, charts the inspirational story of Durand-Ruel and the artists he championed, who are on display until the end of May at the National Gallery in London as part of the Inventing Impressionism exhibition.
Showtimes (Click time to book tickets)
- Tuesday 2nd June 2015
Wild 4 stars
In 1994, 26-year-old Cheryl Strayed decides to come to terms with the death of her mother by embarking on a gruelling 1,100-mile solo trek along the Pacific Crest Trail, passing through California, Oregon, and Washington. She is ill-prepared for her odyssey, weighed down by a cumbersome backpack overstuffed with useless items including the wrong gas canister for her cooking stove. Cheryl gradually nurtures her survival instincts to overcome her fears and the perilous terrain.
- GenreAdaptation, Biography, Drama
- CastLaura Dern, Gaby Hoffmann, Reese Witherspoon, Thomas Sadoski.
- DirectorJean-Marc Vallee.
- WriterCheryl Strayed, Nick Hornby.
- Duration115 mins
- Official sitewww.howwilditwas.com
It's a perfect paradox. Sometimes to find yourself, you have to completely lose yourself: strip yourself bare of home comforts, temporarily sever emotional ties and stare your demons in the eye. Only when you hit rock bottom with an almighty thump can you honestly assess your strengths and frailties, and gain a deeper appreciation for the people who are important to you.
In 1994, 26-year-old Cheryl Strayed decided to come to terms with the death of her mother by embarking on a gruelling 1,100-mile solo trek along the Pacific Crest Trail, passing through California, Oregon, and Washington.
She was ill-prepared for her odyssey, weighed down by a cumbersome backpack overstuffed with useless items including the wrong gas canister for her cooking stove. Alone in this unforgiving wilderness, Cheryl initially relied on the kindness of strangers to survive, but gradually nurtured her survival instincts to overcome her fears and the perilous terrain.
She subsequently penned the moving memoir Wild: From Lost To Found On The Pacific Crest Trail, which British novelist Nick Hornby (High Fidelity, About A Boy) has adapted beautifully and elegantly for the big screen.
Jean-Marc Vallee's film opens with Cheryl (Reese Witherspoon) at a critical and painful juncture of her trek. Standing on a ridge above a breathtaking northern Californian vista, she removes one of her hiking boots and a bloodied sock then tears off a loose toenail.
The jolt of pain sparks a miasma of flashbacks to Cheryl's past and her bond with her mother Bobbi (Laura Dern), who is diagnosed with lung cancer and dies when Cheryl is 22. There are scenes of domestic intimacy and tension with her ex-husband Paul (Thomas Sadoski), and her best friend Aimee (Gaby Hoffmann), who sends food parcels for Cheryl to collect along the route.
Her exhausting journey is punctuated by nightmarish memories of Cheryl's descent into sex- and alcohol-fuelled oblivion - a futile effort to salve the pain of Bobbi's death, which sounds the death knell for her marriage. "I'm going to walk myself back to the woman my mother thought I was," Cheryl resolves.
Anchored by a tour-de-force performance from Witherspoon that is a shoo-in for Oscar consideration, Wild is an emotionally uplifting drama that celebrates the endurance of the human spirit and the restorative power of a mother's love.
Vallee, who helmed yesteryear's Oscar winner The Dallas Buyers Club, directs with flair, juxtaposing the picturesque splendour of Cheryl's surroundings with the internal darkness that nudges her to the brink of self-destruction.
The fragmented timeline doesn't impact greatly on dramatic momentum and Hornby sketches some powerful scenes of threat and self-reflection including a moving encounter on the trail with a woman and her grandson that finally opens Cheryl's floodgates and loosens ours too.
Showtimes (Click time to book tickets)
- Thursday 4th June 2015