A HIPPOPOTAMUS is perhaps one of the less likely animals to; metaphorically, rear its head at a BCMS recital. However, this was a very special event at which the delightful Tasmin Little recalled the time when she found herself charming an inquisitive hippo in the midst of the Zambezi River to the music of Bach. Mind you, Tasmin is quite a charmer herself, as this Lecture-Recital derived from her internet release “The Naked Violin” so happily confirmed.
A short Allegro by Telemann introduced both her 1757 Guadagnini violin and a first outing of her new 1925 Reichel bow. Her aim of “debunking some of the myths of classical music” was both lucid and thoughtful, beginning with samples of the many violinist tricks that Paul Patterson employed in his fiendish but ear-easy Luslawiche Variations.
The first half concluded with the “labour intensive” Bach Chaconne, affording a rare opportunity to hear Tasmin’s towering talent intently focussed on a technically formidable work, drawing rapt attention and long applause.
Part two began with three movements from Bach’s Partita No3 before taking audience questions which included how to commit works to memory, what thoughts she has when playing and the skills required as a violinist; “thin fingers” and “agility” being of prime importance.
Agility was certainly foremost in the last two pieces; the astonishing arrangement of the Leyenda from Albeniz’s Asturias (for which I, and many others, hope she will record), and Ysaye’s Sonata No3, performed with stunning virtuosity and promoting education with an entertaining smile.